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Gustav Metzger, born in Nuremberg in 1926, is a representative of the action-artists
of the late 50's and the 1960's. He made a name for himself as the founder of the "Destruction in Art Symposium"
(DIAS) in London in September 1966. Metzger devotes his attention to those structures in art which are quasi mechanical,
machine-controlled.

Historic Photographs: Liquidation of Warsaw Ghetto, 1995 (Aufbausituation)
Gustav Metzger's artistic activities, like his life as a whole, are characterised
by his untiring commitment towards an "other world". He sees art as a means of social criticism, as a
political act with the object of changing society. His action programmes, manifestos and projects, many of which
were never realised, took a critical look at topical social problems, environmental questions and the art system
itself. Long before the 90's when art was recognised to be a "service industry", a further step in the
process by which the restrictions inherent in the traditional definition of art are being overcome, Gustav Metzger
was calling into question the traditional standards and values in his radical action-projects and concepts. Among
the most recent of Gustav Metzger's works is the series of "Historic Photographs" in which well-known
historical photographs are re-presented in such a forceful way that they become a new optical experience.
The exhibition was compiled by the Museum of Modern Art in Oxford and will be augmented in Nuremberg by new works
by Gustav Metzger and a detailed documentation. An accompanying publication will be available at the exhibition.
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